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Larry Coryell
deserves a special place in the jazz history books. He brought a
revolutionary sensibility to electric guitar playing in the 1960s; a
hard-edged, cutting tone and phrasing that owed as much to blues, rock,
and even country as it did to modern post-bop. A true eclectic blessed
with impeccable technique,
Larry Coryell
always has sought to be himself. It is true that this has taken him all
over the musical map, from Ravel to Rimsky-Korsakov to rock; not
reflecting an identity crisis but an uninhibited musical appetite
appropriate to his era.
He has been comfortable in almost every style from decibel-heavy
electric work to the most delicate, soothing, intricate lines on
acoustic guitar. In between there is finger-spraining,
fretboard-busting, pyrotechnic virtuosity. This description only serves
to introduce a complex and brilliant player.
Born on the Gulf Coast of Texas and raised in Washington state, Larry’s interest in jazz took hold at the age of four. He began
to learn the guitar by studying the recordings by Tal Farlow, Barney
Kessel, and Johnny Smith. By 1965, now living in New York, Coryell
attracted tremendous attention in local jam sessions. Visionary
vibraphonist, Gary Burton, hired Larry at a time when jazz was stagnant
and musicians were searching for new inspiration, a different vibe
(forgive the pun).
Shortly thereafter, Coryell helped form the jazz-rock band, Eleventh
House that featured trumpeter Randy Brecker and drummer Alphonse Mouzon.
The band’s first release, Introducing the Eleventh House, was a
phenomenal success and led to European tours and concert appearances
with Chick Corea’s revolutionary Return to Forever band, thus laying the
groundwork for the genre lamentably labeled jazz-rock fusion or just
“fusion.” Pure jazz performances and numerous recordings over several
years finally erased the burdensome fusion label, although he can still
go there.
Larry Coryell is a jazz musician with an unfettered
commitment to swing. In keeping with this tradition, Coryell surrounds
himself on this date with likeminded, crafty professionals. For this
date there is Indianapolis bassist Jonathan Wood, and the energetic and
awesome Chicago-based drummer,
Paul Wertico, who rounds out this
outstanding group.
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